মুক্তি / Mukti - Freedom to Express 2021

October 30, 2021 - November 05, 2021

মুক্তি / Mukti- Freedom to Express marked the inaugural exhibition of Brihatta Art Space, presented by Artist Bishwajit Goswami in 2021.

Organized in commemoration of the Golden Jubilee of Bangladesh’s Independence, the exhibition celebrated the enduring spirit of freedom and the role of art as a medium of self-expression and collective memory. The exhibition featured works by five grantees, each exploring the idea of freedom through their individual practices. Together, their works created a dialogue between history, identity, and contemporary artistic expression, reflecting on how the legacy of liberation continues to inspire new generations.

As Brihatta’s first major initiative at its own art space, মুক্তি / Mukti- Freedom to Express set the tone for the foundation’s vision—cultivating creativity, fostering collaboration, and situating art within the broader cultural and social narratives of Bangladesh.


Although the leather industry of Bangladesh is an important driving force of our economic growth, it has now been shifted away from the central city of Dhaka to Hemayetpur in Savar due to pollution. The Buriganga River and the Hazaribagh area are finally free from the clutches of decades of pollution. Home to the tannery arts and leather industry for 71 years, Hazaribagh is now undergoing a new era of being reimagined and restructured. Tanneries in the everchanging, historic Dhaka city's Hazaribagh neighbourhood are now abandoned lifeless structures. The daily hubbub of the workers has come to a standstill, everyone rushing to settle elsewhere. The novel experience of this ongoing pandemic has only added to that. Despite this upheaval and through this turbulence, in 2021, Brihatta Art Foundation started its journey at 'Mukti Tannery - 1'.

At this time of stasis, the “Find...Create...Express” initiative was organised in an effort to breathe life back into the polluted environment of this tannery region. In this former tannery district along the riverbanks, combining art and artistry, the artists explored the elements with their minds' eyes. Stories left behind in this region of the river basin have lighted the artists' paths in this project, allowing them to explore new forms for renewed hope. Being left behind does not mean abandoned and it's as if the elements lay scattered filled with this desire to be picked up again. Processed or leftover hides, various tools and materials for preparing hides, the spaces used for preparations, the local marketplace for buying and selling raw hides, the people from all walks of life involved in the tannery arts economy and their experiences as they had to migrate; all this inspired the artists to create for this project.

Gathering on the open roof-top courtyard at Brihatta's new space, with a language garden encased in foliage, with fruit, flowering, medicinal plants, and a vegetable garden, these artists sparked new narratives, telling stories, sharing tales, trading moments amongst themselves, weaving a web of new connections at the Mukti Tannery. The flow of life in art and creative thinking also involves discovering a new form. And at the edge of this busy city where Brihatta brings together art and artistry, perhaps one day this space will be bustling, resonating with the sounds of the mighty Buriganga's currents, invigorating the people once again.

Bishwajit Goswami
Curator

Grantees were selected through an open call to create sculptural objects and tapestries with materials found around the tannery district in Hazaribagh.

Like nature, the spirit of a woman is ever resilient: able to find hope in the slightest sliver of light, unrelenting as she moves forward. This resilience is what teaches her to fight for her place, claiming an equal stake in the tannery arts industry that lends to the country's prolific economic progress. This unconquerable spirit sparks inspiration and artist Afia Noor has chosen the most quintessential garment of the Bengali women, the saree, for her artwork. Woven with the light of rising hope, the stories of the struggle for survival, and the embrace of blossoming flowers, this winding work of art depicts the likeness of the mother's womb, in which lies the mother's struggle, who fiercely protects her offspring like all of nature. When the tannery space was being restored to its viridescent form through Brihatta Art Foundation, the labour of love from the mother figures was deeply involved, naturally guiding the act of breathing life back into this space. This work is a testament to that spirit.

'Mukti' was born in a dark time; in the confines of quarantine during a pandemic, when human connections were trapped in the requirements for physical distance, a time of crisis that fueled the artist's creativity. Breathing fully in the lush, green, open courtyard of Brihatta that emerged from the discarded shell of its former self as a tannery, artist Mahmuda Siddika felt liberated after a long time. Hazaribagh's 70 year legacy as a leather manufacturing industry ended here in this space, the remnants of the tannery district forming the foundations for breathing life anew into this community. Each structure on this acquired space has been reimagined and liberated with respect towards the land it stands on, freed from the hostility and rackets of its former suffocating environment. 'Mukti' has become synonymous with Brihatta, who breathed new life into the Mukti tannery on the 50th year of Bangladesh's liberation.

The artwork "Harmony" pays homage to the cow, a life form created from the lap of nature through its various iterations experienced in the cycle of life. The journey of this animal from an essential component of our agricultural processes to a source of nourishment as food does not end there. Once consumed, the leftover leather goes through various transformations, ultimately becoming a source of income. The story of nature and her creations is often lost in the fervour of profitability. The combination of cow, buffalo and goat hide in the piece entitled "Harmony" evokes the story of nature's grief, the story of the transformation of the tannery area, and of utility, told through the uses of various found objects sourced from the remnants of the area's past. This shape, found after the transformation from the lap of nature to the various stages in the cycle of life, is the work of harmony in the form of a cow. And so "Harmony" represents the stories of a new life with salt at its feet, salt being an integral element in the process of starting the journey toward a second life.

Balancing a crisis of existence with the responsibility of processing industrial products, the precarious story of how Hazaribagh is being transformed for the future is not over yet. Artist Rasel Rana has perceived from his environment the journey of pollution, the reality of it ever more striking to him as he experiences it close to the place he calls home. And so, working at Brihatta, the artist has developed leftover leather in various colours, binding them together and combining them into a myriad of shapes. One day, Hazaribagh will be free from the evils of pollution, its environment returning to a verdant state. Rasel Rana’s work tells this story of its creation, containing signs of additions and subtractions, blank spaces emphasising a state of emptiness, highlighting the story of nature's erasure, where even profitability is unable to keep the grief of this loss at bay. 

Fragments of the various raw materials for creating leather arts have inspired Tapan Ghosh, who collected these raw materials from the abandoned tannery. The piece of wood which lost its utility has been transformed through various processes. Discarded brick-cement-surkis now remain in Brihatta's courtyard in a new form, transformed by the artist. Skin that was once prepared using instruments has been transformed into this rectangular shape, with different colours of skin on the surface or through the internal colours. Memories of the abandoned Mukti tannery remain in the artist's creation; there is emptiness, the positivity of accepting something new, and the open possibility that the future brings.

Let’s Play Together (2021)

As part of the মুক্তি / Mukti Project, Brihatta Art Foundation hosted its first children’s art programme, Let’s Play Together, on the rooftop of Mukti Tannery-1 in Hazaribagh. Held on September 10–11, 2021, the event brought local children—many painting for the first time—into a collaborative workshop where they created large-scale works in the traditional “pot” style of Bengal.

Conducted by Trustees Tania Sultana and Mong Mong Sho, the programme built connections with the community through its youngest members, transforming an abandoned tannery into a space of creativity, joy, and dialogue. Let’s Play Together became a cornerstone of Brihatta’s Mukti Project, reflecting our belief in art’s power to nurture growth and open new possibilities.

Find... Create... Express…(2021)

For over seven decades, Hazaribagh was the beating heart of Bangladesh’s leather industry. Once a hub of tannery arts and livelihoods, the area became synonymous with pollution and decay. When the industry shifted to Hemayetpur in Savar, the Buriganga River and Hazaribagh finally began to recover after decades of environmental strain. What remains are abandoned tannery buildings—silent, lifeless structures that once buzzed with the rhythm of thousands of workers.

Amid this transition, compounded by the stillness of the pandemic, Brihatta Art Foundation launched the Mukti Project in 2021 at Mukti Tannery 1. The project was born out of a desire to breathe new life into this once-polluted space, to reimagine its history and possibilities through art.

Within this framework, artists turned to the traces left behind—discarded hides, tools, workshops, marketplaces, and the stories of workers forced to migrate elsewhere. These fragments became catalysts for creation, inspiring new narratives of resilience, renewal, and hope.

At Brihatta’s rooftop courtyard, transformed into a language garden of fruit trees, medicinal plants, and flowering greenery, artists gathered to share tales, exchange ideas, and weave connections.

Out of abandonment emerged possibility; out of silence, a new dialogue of creativity.

খুঁজিয়া দেখো তাই...!!! (Find... Create... Express…) reclaims the memory of Hazaribagh’s tannery district, transforming it from a place of pollution into a living space for art, storytelling, and community.