
In
"Dream of Human Nature”, I unveil the Cosmopolitan Chicken Project's
diverse essence, symbolising our shared journey. It urges us to balance dreams
and reality, responsibly wielding the power of language. Through genetics and
collaborative art, the exhibition reflects our interconnectedness and calls for
sustainable coexistence. The exhibition's intricate tapestry celebrates
humanity's diversity, inspiring us to cherish our dreams with a mindful
perspective. In this convergence of art, science, and community, we find hope
for a future built on unity and understanding.
Koen
Vanmechelen
Artist
To dream is
part of human nature.
Whether we
dream in states of consciousness or unconsciousness, we construct and
deconstruct ourselves according to our deepest desires, wishes, and fantasies.
We consent to idealized ways of thinking, being, and seeing. Losing, gradually,
to find ourselves in altered ways of existing. We dream up a
world where diversity and inclusivity can coexist. Artist Koen Vanmechelen
touches on this with his CCP project, using the chicken as a metaphor for
humanity and social processes, advocating identity and diversity across
borders.
Diversity
is an ongoing conversation. This exhibition gives us space to contemplate the
subject momentarily, with a slight pause. Koen has developed a unique process
where different communities are able to engage through art, science, and
spirituality, in line with the natural flow of life, as Mother Nature
intended. A new language is created, where one feels, rather than sees,
beauty as a form of art. A new composition created in harmony with our
surroundings, in which the 28th generation of the Mechelse Aseel is used as a
metaphoric expression to nurture his dream of a diverse world.
The dream,
which 20 years ago transported him to a monastery in the Himalayan region in
search of the white eared pheasant, now brings him to Bangladesh on a quest to
seek the familiar in an unfamiliar setting. Similar to the journey of a stream
that flows from the Himalayas to form rivers which merge into oceans, the
spirit of the Mechelse Aseel wanders all the way from Belgium to the artisanal
grounds of Rajshahi, to sacred lands in the Chittagong hill tracts.
Brihatta
Art Foundation and Koen Venmechelen present the process of creation in a unique
way to the audience in Bangladesh; a process in which the convergence of art
and science garners responses of empathy, unity, and deep contemplation.
Bishwajit
Goswami
Curator